Featured Artists

  • We’d like to introduce you to a few of our featured artists and collaborators.
  • Sascha Knorr I am a self-taught media composer from Germany, who has studied 2 years of French Horn and 9 years of classical singing. Beside that, I have a bachelor’s degree in Media Technology and I’m working towards my M.Sc. in Industrial Management. The Soundiron instruments have ever been a wonderful addition to my collection of sample based instruments. Apart from their beautiful choir libraries, I especially like the more exotic and experimental instruments. Their deep sampling and rich sound allows me to use them in every layer of a mix or arrangement. And the most important thing: They are inspiring and it is so much fun to play them.

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    Russell Bell I have been writing since i could play, back around ’88, in pursuit of a world of electronic deviance, sound design and pure synthesis. I studied all I could whilst my peers were doing more productive things like chasing girls and fighting. I’m happy to say I caught up on both during extensive years of gigging on multiple instruments in bands that rocked blues and added some acid to jazz. For over 20 years, it’s been my aim to write music not only commercially viable but emotive, which is sometimes lacking in the storytelling of current music for media. I write for TV placement under the management of Couldb entertainment, under the wing of Ken Parks, VP of MTV. My pursuit for cutting edge sound design is often hampered by time constraints, so I found Soundiron on this journey and immediately struck a friendship with the like-minded SI team, who are clearly pioneering the way we think about modern sound design and creation. They make products that mix well and have a life of there own – an intensely hard element to infuse into a sampled world. I can add that missing organic touch on a platform that doesn’t bloat my PC, runs efficiently and intuitively – which is a must for my weekly TV demands. I’m proud to be part of the beta and demo writing process for Soundiron and a strong advocate for this growing company and the impact it makes on my music. This bio is brought to you in person and avoids any 3rd person/PA element. The key to making an impact and being a real composer is acting like one. Interacting with the world on a one-to-one level, another common feature I share with these guys. Take a listen to my work, demos and the stunning selection on there site and enjoy!!

    Russell has written music for America’s Next Top Model, Bar Rescue, Animal Planet Swamp Wars, Project Runway/Accessory and more, and is a recent runner up in the G tech driven creatively competition. He’s 1/3rd of the Bells & Wizards production team, writing for film trailers, game and promo work.


    Paul Amos Paul’s instrumentals have been used on The Discovery Channel, Science Channel, Animal Planet, BBC, MTV, Canal +,and NBC. Paul also scores for Independent movies and won the “Best Soundtrack” award from the Fright Night Film Festival. His most recent film, The Righteous and the Wicked, recently got picked up by Lionsgate. Paul LOVES Soundiron’s products and uses them in every single composition he’s done since discovering them.

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    Xiaotian Shi
    Xiaotian Shi started playing the piano at the age of 5 and soon began composing at 6. He studied at the Royal College of Music, London from 2005. Later in 2008, Xiaotian won a scholarship to the Royal Academy of Music to study composition with Paul Patterson and piano with Rustem Hayroudinoff.

    He has composed for the Royal Ballet School and later the London Contemporary Dance School. Xiaotian won 1st Prize in the 6th Annual International Composition for Orchestra Competition, in LA, California, his orchestral work was premiered by the AASO conducted by David Benoit. He was also a prizewinner of the Sibelius Student Composer of the Year competition, where Steve Reich and Karl Jenkins were among the 7 internationally prominent adjudicators. Other awards he received include the Constance Poupard Memorial Prize at the RCM and both Violet Strutton Prize and Alec Rowley Award at the RAM.

    In 2011, he founded the London Academy Premiere Sinfonia, made up of some of the finest musicians in London. The orchestra specialises in performing new orchestral works and film scoring sessions. The 75-piece orchestra made its critically acclaimed Debut Concert in July 2011, where 2 of Xiaotian’s new large-scale orchestral works were premiered. As a composer for Film and Television, Xiaotian’s work can be heard on the Discovery Channel and BBC, where he works as composer, arranger and orchestrator.


    Dirk Ehlert I’m a German-based composer for film- and game scores, with a passion to create music with emotions and impact. Starting off at early years with self education on piano / synthesizers and recording / midi programming I’ve always had a passion for creating the “real thing” via virtual instruments. I learned to play the guitar, took singing lessons for several years and finally studied music at Potsdam University Germany. Together with Gothic Symphonic rockers “AnsoticcA”, I co-wrote, recorded, arranged and produced the debut album “Rise” , published in Nov. 2010 worldwide. Today I’m signed to New York based music library CouldB Entertainment getting cues placed for Americas next Topmodel, Project Accessory / Project Runway, Bravo etc. I am also part of upcoming film- and game score venture “Bells & Wizards”.

    I am really glad having joined the beta team of SI, since their products allow me a fluent workflow when workin’ for deadlines. I love the overall sound of their libraries, especially the “unusual” ones as for example “Cathedral of junk” which often adds a nice flavor to my tracks. I’m sure SI has a great future ahead and again, I’m really proud to be part of it. More…


    Simon Russell I’m a self taught musician/composer living in London. As a child, I was very keen to experiment with sound – modifying the family piano, removing the frets from my first bass guitar and, much to my parents annoyance, taking all our clocks apart to see what made them tick. I play a wide range of instruments but my favourite is the ukulele. I’ve composed for many award winning programmes including Afghan Star (2 Sundance awards, Grierson award) and Baroque (RTS award). I’ve just spent the last year composing for a 52 part Aardman animation series “Canimals” already being broadcast in Australia & Europe with Disney Asia & UK following early next year.

    Being a keen advocate of SoundIron, it’s a given that I’ve been using a wide variety of sounds from their libraries on most of my projects. Their deep sampling of unusual instruments & percussion is both innovative & extraordinary. More…


    Ryan Scully I was born, raised and currently still reside within the beautiful and historic Hudson Valley, NY. I first picked up a guitar at age 12 and began a 19 year love affair that is still going strong today. After years of private study, I attended college and received my Bachelor’s Degree in Music while graduating with my department’s top award. Since that time, my musical life has taken a series of interesting(and abrupt) detours through the years. Leaving my aspirations for prog rock stardom behind, I began exploring MIDI and soon realized that composition was what I ultimately wanted to do with my music. I have since been working with film and games – Always looking for an opportunity for my musical voice to help tell a story. Soundiron’s libraries are very important pieces to my musical palette. I find their choir library concepts to be the most advanced and innovative out of any next generation sample library on the market. As a classically trained baritone myself, I think their masterful legato programming in tandem with poly sustains and marcatos can achieve an unparalleled sense of realism. The Emotional Piano is also just that – Emotional. It is the only piano I turn to when scoring to picture.


    Max Zhdanov “If you want to make beautiful music, you must play the black and white notes together” – Richard M Nixon. Politics and racial wars aside the man had a good taste in jazz music. After five years of Soviet classical piano school, which I mostly skipped playing video games at the nearby arcade, I was ready to be a film composer, or so I thought. I hated music school and I hated playing Beethoven’s Elise and “Moscow Nights” fifty times a day, I just wanted to play what was in my head and not what somebody else had composed. Sound became my science and music became my passion. My interpretation of music is the opposite of silence, weird I know. A great piece of music defines that moment of silence that comes at the end, when you gasp in awe or shed a tear because Gandalf falls with the Balrog or Darth Vader says “Luke I am your father”. I love writing music because it is my passion and if I never get paid for any of my work I will still be doing it regardless.

    Being a pianist, I was naturally drawn to Soundiron’s Piano collection. Specifically, Emotional Piano and Montclarion Hall piano, which become my go-to libraries for almost all my piano needs, the majority of my compositions beginning with an Emotional Piano patch. When I first downloaded Mars I remember loading the “MM” vowel patch and playing with it for thirty minutes. There is no question that the guys at Soundiron love what they do, you can hear it in the quality of their products and innovative Kontakt programing… More…


    Eanan Patternson Award winning composer, Eanan, has been scoring and producing music professionally for well known production companies like RTÉ, TG4, TV3, Setanta Sports, PBS, Yahoo Movies, Microsoft Studios and Sony Pictures Television since 2004. He was born in Dublin, Ireland and at a young age moved with his parents to the United States. Later, at the age of thirteen he was accepted to the prestigious Julliard School of Music (pre-college division), where he studied violin and piano with professors Sally Thomas, Ann Setzer and Elena Wolkonsky.

    A graduate of Fordham University, New York, Eanan received a Record Arts Degree in Music Engineering and Production at Full Sail College, Florida where he won the Lee Deforest Cup, an audio post-production award in 2003. He also has a specialist certificate in Music Theory & Orchestration from the Berklee College of Music in Boston and is a Digiddesign certified audio-post operator for Pro Tools systems. As a violinist, he has performed in major concert venues including Carnegie Hall, Radio City Music Hall, New York, Boston Symphony Hall and the National Concert Hall in Dublin.

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    Johnny Knittle I grew up in Fullerton, California, surrounded by a healthy music scene. My older brother was a drummer, I would listen to him practice and I aspired someday to join in on the fun. At the age of 11 I decided to learn guitar since he wouldn’t let me touch any of his drum sets. (He still won’t.)

    Now I am a 32 year old composer working primarily in television with the occasional film, video game, internet, and music production project thrown in for good measure.

    I am fascinated by tunings and temperaments but I just love working with sounds in general; it’s like getting to solve a new riddle every day.

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    Dmitry Selipanov I’m 25 years old and based in Moscow, Russia. I can sometimes be seen at the Moscow Conservatory, where I’m double majoring in composition and percussion. I write music for films, television and other media as well as compose classical music. In addition to writing music, I also perform on keyboard and percussion instruments. I have worked on a number of documentaries and feature films, composed music for theater plays, mobile video game soundtracks, etc.

    What I like most of all about Soundiron products is that each instrument has soul and unique character. Working with these samples always feels like playing a musical instrument, which is very inspiring.

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    Chris Cutting Chris has been actively making music since early childhood. His goal is to communicate emotion through his music much more fluently than he has ever been able to do with words. What he loves about SoundIron’s instruments is that they have a very broad potential for use, and in themselves, can serve as vivid inspiration. Much of his vocal focus has been in the countertenor range, which has shown itself in much of his composition work, and he has most notably studied under the direction of Cirque du Soleil’s Ralph Daniel Rawe. He is always looking for new projects, new sounds, and continued inspiration.

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    Blake Ewing By historical standards, I suppose I was a latecomer to the world of music. At sixteen, I taught myself to read music and play piano by reading an old set of World Book Encyclopedias. Thankfully, I later received a Bachelor’s degree in Music from much better teachers. Both experiences cemented my love for the art, and instilled in me a deep appreciation for the power of music. Currently, I write music for film, commercial and theatre.

    Soundiron instruments are in every template I set up for my musical scores. They add immediate expression and humanity – bringing life to a digital process. I am particularly fond of using the sampled keyboards in unusual or unexpected ways, as well as the wonderfully clever sets of percussive samples they’ve been able to capture from the most unique sources.

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    Arkadiusz Reikowski I’m a composer and audio designer with credits including film, games, tv and media. Expressing powerful emotions and lyrical style of writing music are one of the main features that I love in my work. I create emotionally dynamic scores in interactive environments in a diverse array of orchestral, acoustic and electronic genres. Soundiron instruments fit very naturally and fluently into my music. I love the creativity and endless possibilities in how I can use them. Every library is unique and fits various musical styles. I was surprised that many sounds that I want to make and include in my score are already in Soundiron’s libraries.

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    Shannon Penner I’ve been an animator in Canada for the past 15 years on movies such as Curious George, Osmosis Jones and Princess and the Frog. During this time I seem to have developed the uncanny ability to see and analyze life at 24 frames per second. This naturally lead me to a fascination of sound design and attaching audio to picture. I then attended Fanshawe College’s Music Industry Arts program and am now working as a composer and sound designer for TV. I also create ambient music under the alias ‘orbit over luna’. As a musician and composer I love getting lost in the details and textures of music, which is one reason I love working with Soundiron instruments. They are so wonderfully unique and perfect for adding elements, subtle or otherwise, that are just so distinctive. They are such an inspiration that I use them in pretty much everything I do now.

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    Reuben Cornell Originally from Essex in the UK, I’ve been playing piano since I could hardly reach the keys. Music production and remixing initially took me into the world of DJing and I produced tracks for club nights across the UK’s South East with weekly DJ slots playing to many different dancefloors. I’ve now returned to my classical roots and write music in a variety of styles for music libraries, videogames and advertising. I especially enjoy using Soundiron instruments as part of my musical palette to add unusual touches and rare sounds. The guys at Soundiron constantly conjure both strong and subtle performances and I especially rate their choir libraries which are unmatched in presence and power.

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    Robert Johnson
    I’m a one of the co-founders of FATHOM Studios. As a company we create music and sound design for Feature Films, Television, Games, Commercials and Trailers. In the recent past we’ve had the privilege to work with clients like Warner Brothers, Universal, Bioware, EA and Lucas Arts.

    Despite the recent influx of commercial developers, we still find that only a few really get it right. SoundIron is one those few that produces amazingly expressive libraries with a soul and richness that most commercial libraries lack.


    Stu Kennedy Instead of writing about myself in the 3rd person (which seems to be a prerequisite for being a composer) … I’ll just tell you what I do, as me. You may already recognise my name as I provide a bunch of sample devs with my downloader system (www.continuata.com) including Soundiron. I also compose for film/TV and produce music for other things (like bands and whatnot). I’ve had the privilege of working with David Arnold as mockup programmer (Narnia, Morning Glory), and Assistant Composer to Murray Gold on the recent Torchwood: Miracle Day series. I’ve composed on BBC shows and for TV ads, and also tutor other composers in orchestral mockup techniques. Emotional Piano is one of my favourite tools, and I practically use it on everything. Soundiron products absolutely rock my world, and I use them everywhere I can, often as a starting point for sound design elements. I also use the M1 Garand Rifle lib as a way of scaring the neighbours (yes that’s the correct spelling in the UK). More…


    Marco Frydshou is CEO and founder of Chicago Sound, Copenhagen born composer and musician with with roots in a DJing background. Marco is a genre exploring musician, working with Cannes nominated international commercial, AD’s, award winning music libraries, features, Doc’s and underscores for international TV shows.

    He’s been Working his way up as a studio assistant while practicing audioengineering, classical piano, music theory and composition. He’s absolutely in love with the epic realistic feel of Soundirion. Marco’s specialty is bridging classical composition and acoustic instruments with sampling and modern computer technology, combining several genres at a time. Also releasing records under Alias Mr. Chicago. His influences are wide and varied, among them Beethoven, Ennio Morricone and Debussy, Quincy Jones and Giorgio Moroder. Marco is an obsessed espresso drinking and gum chewing composer. He’s scoring his first feature Danish thriller this following year. More…


    Markus Schmidt Hi, my name is Markus Schmidt. I live near Paris and have been working as a composer since 2003. My credits include major video game titles for Ubisoft, Microsoft or Electronic Arts, as well as world wide airplays on television networks such as ABC, TNT, CBS, FOX, HBO or the History Channel. I enjoy minimalistic experimental music with a human depth to it, which is why I feel very much at home with the Soundirons intimate and dark instruments. The emotional piano for exemple is my first pick when it comes to sampled piano sound.

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    Michal Cielecki I am an experienced classical/jazz percussionist and soundtrack composer. As an academy of music percussion specialty graduate, I’ve gained the knowledge in the area of classical music performance, expanding my interests in jazz performance and orchestral music production. I took my first attempts at composition with computers and synthesizers at an early age. With years of experience in various music genres, I’m focusing my skills, passion and dedication for creating high quality music for video games.

    I love unique sounds that can be used as musical instruments, so for unusual sound sources I go to Soundiron’s libraries, as they are deeply sampled and wonderfully recorded.

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    Oliver Codd Oliver began his musical journey very early in life. Legend has it he was born with a guitarpick in hand… At age 3 he was already hammering out melodies on a toy piano and by the time he graduated from high school he was performing his original pop songs at major Chicago venues, including the House of Blues. Inspired by choral works while singing in one of Chicago’s premier choirs, Oliver began focusing on cinematic, orchestral and choral based music. Born at the dawn of the digital age, he quickly mastered the requisite skills to record, arrange, produce and mix his compositions. Currently he contributes his talents to multiple music production libraries and is making his mark in the trailer music industry. Additionally, he is a beta tester for Soundiron. Oliver uses Soundiron instruments in just about every piece he writes. Whether it’s for choral based music or experimental sound design, each instrument lends a strong character that adds greater depth and personality to his music.


    Ian Dolamore I’m a composer and pianist, and I write music for film, TV and theatre amongst other things. I studied piano from the age of six with renowned pedagogue, Christine Brown, and then concert pianist, David Murray, before completing a Bachelor’s degree in Music and later, a Master’s degree in Composition & Production. I’ve scored several short and feature films and I write for a number of music production libraries as well as producing orchestrations for other composers.

    I find myself using Soundiron’s instruments in nearly all my soundtrack cues, from the amazing quality and depth of their choir and piano libraries, to the quirkiness, versatility and sheer randomness of a washing machine, incandescent lightbulbs and the miscellaneous sounds of the junk yard.

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    FIROZE – KAIZAD – MALIKI Maliki Ramia, Kaizad Patel and Firoze Patel are three different composers from different countries each with a set of unique talent & passion to compose music, sound design, mixing & mastering in 5.1 & stereo formats for films, theatrical trailers, promos, ads, video games. etc. We have been nominated twice for indian television awards for composing background score for tv shows.

    We started composing music together as a team for films like The Adventures Of Sinbad, Hatim Aur Sultan, Super K, Knuts of Dreamzone, Bal Ganesh 2, Sponge Bob and many more. We have also composed theme music for N The Queue online radio & have scored music for the series the Edge by John Cox & Dawna Lee Heising. It’s our passion to compose music for films, tv shows, ads, video games etc. Our ultimate goal is to compose music for Hollywood films.


    Davin Wood is a lucky man who gets to make comedy funnies with music for actual money. He started with a Fostex cassette 4-track, and never looked back. From what he’s heard, playing with their libraries, the Soundiron offerings are truly excellent. He predicts that Soundiron is going to be a major competitor in affordable, professional music creation software.

    Some of Davin’s recent projects:
    Tim and Eric’s Billion Dollar Movie (Film, Abso Lutely/2929 Productions)
    Tim and Eric Awesome Show, Great Job! (TV, Adult Swim/Cartoon Network)
    Check It Out! with Dr. Steve Brule (TV, Adult Swim/Cartoon Network)

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    Jarkko Hietanen Jarkko Hietanen is a composer for film, video game and other media. Residing in Finland he works from his home town of Tampere where he creates anything from moody atmospheres, big cinematic soundscapes, intriguing electronic compositions or suspenseful background music to more traditional sounding orchestral film scores. All depending on the project in need. Or then again, he might just do something completely different if you dare him to. Jarkko’s speciality is his extensive experience in the field of electronic independent music, which brings much needed spice to his compositions in the cinematic music field of today. Jarkko uses Soundiron libraries nearly all the time, especially when there is a need for incredibly organic percussion sound and acoustic warmth.

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    Ben Rabenold My experiments with sound started in early childhood, creating piecemeal cassette tape loop compositions. This quickly progressed into 10 years of classical piano training. Since discovering the power of PC music production and earning a Bachelor of Science in Media Communication & Technology along the way, I’ve been writing odd pieces of music under the name Precenphix for the better part of 15 years, on and off, and have found myself reinvigorated as of late. The good people of Soundiron first caught my attention when I was looking for a bank of prepared piano samples. Their Montclarion Hall Piano hit the spot. As a sound-obsessed individual, I really identify with their way of taking any sound source and beating it to absolute death. Whether the source material be something as everyday as a piano or something more exotic, such as dragging reeds of bamboo across a wet floor, their methods of incorporating subtle sound design into their libraries lends a level of versatility to their instruments, making them just as comfortable in an experimental piece as they would be in any traditional film score. Most recently, I’ve been using their libraries in a live capacity, but I can already guarantee they’ll be making their way into my future recordings. And soon…


    Justin Bell I’ve studied music at UCSB, Film Composition at USC, and currently arrange for Johnny Klimek on projects like the film Cloud Atlas, by the Wachowskis and Tom Tykwer.

    I grew up playing percussion, and have always been fascinated by interesting timbres. Long before I even knew about sample libraries, I was already writing for things like “Scrap Metal,” and with great libraries like Soundiron, I’m now able to incorporate these types of sounds into my mock-ups.

    Beyond just the unusual instruments though, Soundiron has great traditional samples as well. Montclarion Hall is my go-to piano, and I incorporate it into most of my orchestral mockups.

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    Franck Rapp French composer Franck Rapp, who lives and works just outside of Paris, has composed and arranged four albums, from jazz, to house, to pop music, has a catalogue of over 150 pieces, and has created music for a variety of commercial clients including the Chateau de Versailles, a production of Romeo and Juliet, Braun, Batida, Pepsi and many others. He has also composed for theatre and film …

    After researching several companies to find special and unusual sounds, I finally turned to Soundiron, because more of the sounds are unique than those in other sound catalogues. All the others are pretty much the same; hip-hop sounds; electro synths, synthetic moods, etc. Soundiron has different sounds than the others, and this really helps me in my work. I can honestly say that since I have known Soundiron, most of my music productions are made with one or more of their sounds.

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    Frank Herrlinger was born in Germany in 1982. After his graduation from University of Applied Scniences Cologne, Frank moved to Vienna, Austria. Frank is a professional composer and a founding member of audiovibes-studios, a company that specializes in high quality music and sound design.

    It’s the importance of details and emotions which defines a good tune. Because of literally infinite possibilities to create a song you have to make decisions all the time – consciously or unconsciously. I decided to work as a composer because I love the challenge of doing something new every time. Every project is unique and so is our assignment to develop the right soundtrack. That is exactly the approach Soundiron takes and therefore their instruments are so unique and detailed. Some of them, especially the piano series, are part of my go-to-instruments.

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    David García Díaz I’m a musician who falls between the composition and the piano performing worlds, with and increasing interest into sound design. I start playing piano lots of years ago, when I was 8 or so, till almost finishing my piano career. But I discovered computers, synths, sampling, technology, and my world changed. I never finished my piano studies and music will never be the same for me. In the present days I make music and sounds for video games mainly, and I’m in love with it. I think we are all in a very special sound era. We can connect with sound in every way, and we can create not only the musical notes but also the sounds. We can create the sounds and make worlds of it. And here Soundiron excels.

    They gift us with very personal stuff, very well recorded, and with lots of breathing/life/love inside. Here I want to talk a little about the Emotional Piano. For me it´s a treasure on his own. Well recorded, with a very balanced sound, deep, rich, it makes any musical idea flow easy from mind to time. It´s so easy to simply sit and play music with it, and feel like you are playing a very unique piano. I’m very thankful to Soundiron for crafting this piano library.


    Chris Nairn I’m a London-based composer with versatility and a strong, coffee-enhanced work ethic! I’ve studied commercial song writing and have years of experience writing hits for my former pop/rock act. I decided to leave the band and kickstart my career as a composer, and I’m currently writing TV cues for CouldB Entertainment, an NYC-based agency that commissions soundtracks for CBS, NBC and MTV. I write for various mediums and enjoy it when a new project comes my way.

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    Mark Taylor is one of only a handful of performers to successfully integrate the notoriously difficult French Horn in the worlds of jazz and improvised music. Taylor’s sound has been described as “rapturous” and “golden” (Coda Magazine); “as fluid and limpid as (the) flute, and as gnarly as (the) alto.” (JazzTimes). His innovative style has won him recognition by such legendary artists as Max Roach, who said, “Mark Taylor is a virtuoso instrumentalist…there is no one dealing with the french horn or the music the way he is.” A native of Chattanooga, TN, Mark has performed and recorded with an array of modern giants including: Max Roach, McCoy Tyner, Abdullah Ibrahim, Muhal Richard Abrams, Lester Bowie, and as a featured soloist with Henry Threadgill’s Very Very Circus with whom he toured the United States, Europe and in Asia.

    As leader of his own groups Mark has performed at jazz festivals in Tampere, Finland, Ljubljana and Maribor, Slovenia, at a number of clubs in Germany, Austria, Canada and New York City, including Birdland, the Zinc Bar and the Knitting Factory, and recorded and released four CDs as a leader or co-leader, QuietLand on Mapleshade Records, Circle Squared on his own taymons music label, At What Age on ARC Records and Live At The Freight on New Artists Records. Mark has composed for theatre and dance, placed a song in the Dollface Productions independent feature film “The Girl “, completed the scores for the sci-fi short, “John Blue 7”, documentaries, “A String of Pearls” and “9/11: Fear In Silence” and created the score and sound design for “Zero Down O.A.C.”, a dark comedy about used car salesmen in rural Alberta. Mark has also completed several transcriptions of music associated with seminal jazz bandleader James Reese Europe’s 369th “Hellfighters” military band for the Brooklyn Repertory Ensemble. Mark enjoys using SoundIron instruments because, as he says, “I’m certainly not going to go out and bang on some garbage dumpsters in a stairwell. You can get arrested doing stuff like that!”

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    Pasi Pitkänen is more than just a man from Finland with video game and movie addictions. He is also a professional composer and sound designer with versatility and passion. Pasi started to explore the worlds of video games and movies at an early age. He spent most of his free time playing Commodore 64, Amiga, PC games and watching movies on VHS. It was through these activities, that he would discover the realms of audio. It was the late 90′s, when Pasi began to compose music with tracker software. During those years, he experimented and created songs in various musical genres, ranging from electronic to rock. He also played the hell out of his acoustic drum kit and bass guitar. Through self education, studies and music projects, Pasi has gained great knowledge in recording and processing both live and sampled instruments. With this background, he is capable of producing high standard audio content for your project.

    Today, Pasi works as a professional composer and sound designer, providing high quality custom made music and sound effects for films, games and other media. He also works as a beta tester / composer for sample library developers Sonokinetic, Soundiron and Nine Volt Audio. More…


    Michael Michalski a.k.a. Chasing Andromeda, is a producer of cinematic, orchestral, atmospheric, ambient, down-tempo and dance-influenced music.His sound has been compared to everything from Kraftwerk to The Gap Band to Portishead. While he often introduces experimental elements into his sound, almost everything he produces has roots squarely in pop, jazz or classical music.Michalski is a graduate of the Bowling Green State University College of Musical Arts, receiving a Bachelor of Music Education with a minor in Music Performance, studying under the likes of Ivan Hammond and Mark S. Kelly. Michalski was principal tubist in numerous ensembles during his tenure at BGSU, including the Wind Ensemble, Symphonic Band and Symphony Orchestra. Michalski has performed with numerous regional performing groups including the Toledo Symphony Orchestra, the Mansfield (OH) Symphony, the Great Lakes Brass Quintet, the Tower Brass Quintet and the Classic Brass. Michalski has also served as musical director for numerous local musical productions. In addition, Michalski served as instrumental music director for several years in both public and private schools. After years as a hobbyist and semi-professional composer, arranger and orchestrator, Michael is now available for your professional multimedia composition assignments. Having recently formed his own company, Michalski Music Productions, Michael is available as a composer, arranger, orchestrator and music consultant. He has skills across a wide variety of genres and can be contacted through his website.


    Rob Oxenbridge I wasted over a decade pursuing ‘careers’ before facing the inescapable: I’m meant to make music. Living in a regional area of Australia makes film and tv composing a challenge so for the near future the focus is on library writing, specialising in cinematic and trailer music.

    Though that often means more orchestral based music, I prefer to work from an electronica, industrial and/or world foundation and blend traditional instruments in. Soundiron samples are perfect for this, not only are they interesting and unique to start with, but run the sounds through creative FX and there is no horizon for the range of sonic material that can be coaxed out of the libraries. There is one Soundiron instrument I don’t mess around with because it can’t be improved on, and that’s the Emotional Piano. But maybe tomorrow I’ll see how it goes with some tube saturation, a touch of grain delay, some…

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    Lincoln Jaeger Lincoln’s claim to fame is almost knocking over the Queen at Buck House whilst doing a brief student job there (this is true, the lady is very short, and he is not, so he simply didn’t see her). But alas the end of the British Empire was averted and Lincoln returned to playing jazz in dingy bars in London – no Queens in sight there, unless you dropped into Soho (plenty there). An interest in ethnic music saw him doing a Masters (or should that be Master’s or Masters’ – I never know) in the completely unpronounceable subject of Ethnomusicology. It impresses people (the wrong sort) at dinner parties. Armed with two degrees and no money, he decided to set up a digital sheet music website: www.greatscores.com where he somehow found himself having arranged 4,000 pieces of sheet music. He also found himself writing more and more production music. Not content that life was stressful enough after the arrival of this first child he decided to set up a trailer music library, imaginatively called www.trailermusiclibrary.com, but the thing won’t launch properly until mid-2012 (too busy changing nappies at the moment).

    I love using Soundiron plug-ins because they sound so great on my pastiche Kenny G projects. But seriously, Mike and the Mechanics at Soundiron have managed to record the samples with such warmth and dynamism, that they give every track of mine a super-charged rhythmic musical steroid infusion. More…


    “Hollywood” Chris Horton So you can stop reading this and get back to composing or making films for me to score, I’ll make this short and sweet. I am 21 years old and have been playing piano for 11 years. Aside from composers like Hans Zimmer, I am influenced by progressive elements as found in bands like Dream Theater. I am a self-taught piano player, not pianist, as the term seems to always come with penguin tails, a powdered wig, and the Fur Elise. I am not that kind of musician. I can be just as content with one or two emotional notes in a measure as I can be with an intellectually composed flutter of notes or cerebrally exhausting runs if they make sense in the piece. I see music as (artisan warning) a gateway that allows you to peak into heaven or hell where you can “oo” or “ah” as the music allows you a glimpse into the untouchable. It will never allow you to enter it, but it will take you right up to its gate, and it will lead you away — frustrated that you cannot attain or live in the place where it has taken you. It is out of this frustration that we find our need to compose another gateway — another window — to witness the incomprehensible.


    Daniel Polwarth I have no musical training. I don’t write for television or score for film. So how did Soundiron let this Bum in? My first love is the written word, but I also write music ranging from Ambient to Industrial Electronica. All percussion styles fascinate me. You can listen to some of my music on Soundiron’s website. For me, music is found in the pluck of a single guitar string; the hum of a Bumble Bee; the crackle of an amplifier warmed up and under load, silent except for mains hum; the distant churn of an aircraft propeller in the air on a warm day. Music is nothing but tremors in the air around us, memories and emotions conveyed through ripples in the ether. That’s why the work of Soundiron appeals to me. They hear sound the way I do. They don’t imitate others – it’s as if they breathe in creativity, whirling to Lovecraft’s Mad Flautist spinning Chaos at the centre of the universe. They get it. I hope you enjoy the music. And if you feel inspired to stamp and spin, too … then go right ahead!


    Brad Stark is a composer for video games, film, and other media. Prolific and versatile, Brad has over 20 years of music writing experience. An emerging composer for media productions, he is classically trained in piano performance and composition. Composing music and playing the piano since the age of 11, Brad has composed music for video games for platforms such as iPhone, PC, and Xbox360. Comfortable with a variety of styles and genres, he has diverse influences ranging from classical composers such as Chopin, Rachmaninov, and Scriabin to contemporary composers for media. Brad writes in a musical language that favors colorful harmonic progressions, emotional moods, and a unique style which blends his diverse pool of influences.

    In addition to being a composer and pianist, Brad has developed and refined his unique, classical style of improvisation at the piano since his teenage years. Described as “Classical piano-perfection” by journalist and music writer Thomas L. Raukamp, Brad has been recording his piano improvisations with acoustic piano and Soundiron’s “Emotional Piano” since late 2011.


    Hugh Richardson I’m a composer living and working in London. I moved here in 2006 to study electric bass and I’ve since found a passion for writing, arranging, piano, food and pool whilst still finding time to play bass with a number of live performance and touring acts. I’ve been honoured to work with some of the most amazing musicians and wonderful people in Europe and I hope to meet many more over the course of my career. Currently I’m writing, arranging and touring with Tom Dibb, putting the finishing touches on my first solo release “Six Minatures For Solo Piano” (from which “The Piano Solo” is taken) as well as teaching and other freelance work in London.

    Hugh Richardson is a bass player, pianist, arranger and composer in London. He’s performed with Marc Russo (Tower of Power, Yellow Jackets), John Cowan (The Doobie Brothers), Lara Johnston, Tolis Zavaliaris (Vanessa Mae), Marin Alsop (Baltimore Symphony Orchestra), Nick Mason (Pink Floyd), Chuck Sabo (Chaka Kahn, Elton John, Natalie Imbruglia), Alon Cohen (Passenger), Kimya, Amy Studt, Leon Mitchener (Rolf Hind, London Improvisers Orchestra), Ana Free, Gianluca Corona (Al Di Meola) and Cheryl Alleyne (Courtney Pine). He’s appeared on records with Laurence Cottle, Neil Angilley,Fergus Gerrand and Pete Lockett, conducted recording sessions featuring Audrey Riley (Muse, Coldplay, Foo Fighters), written for Bass Guitar Magazine, worked with producers such as Jesper Irn (Steps, Lilly Allen, All Saints), assisted on music for BBC One drama series “The Body Farm” and been awarded a scholarship to Berklee College of Music.


    Tim York My father was a comedian – comedy is all about timing, right? So I inherited this and by the age of 8 had developed a keen interest in music. I started piano lessons, then lessons in drumset. I worked hard on my drumming skills and turned professional when I was 22. Around the same time I began to explore the world of electronic music, which was an instant love affair. With an eclectic approach, encompassing a passion for rhythmic layering and an ear for delicious sounds and harmony, brought together by countless hours in the studio, I create tapestries of pure sound and rhythm. Resonating journeys into the primordial space in which everything resides. I am also fascinated by the healing and ceremonial potential of music. I have an array of alchemically produced bowls, bells and gongs, together with other shamanic instruments, which I use and sample to create layered acoustic sound journeys into the divine mystery of matter. Soundiron’s instruments are extraordinary and I and love using them in my productions. The sound quality is superb and I sense there’s a very positive spirit running through the company.


    Randy M. Salo Hailing from the Southern United States, inspired by the gospel piano playing of my mother and the rebellious guitar driven rock n’ roll that was forbidden in my youth, I’ve been inspired to write and play music in a variety of genres. I am by trade and training a filmmaker, and also incorporate my music into my visual work. I discovered Soundiron’s diverse library while completing the score for a feature length documentary, The Dragons of Jim Green, a journey into the fantastic theories of my granddad who postulates that an ancient reptilian civilization ruled the earth before Mankind. Soundiron’s diverse palate brought a rich trove of auditory oddities to this arcane story. Everything from militaristic boot stomps, to the screeching, painful cries of an unknown bowed monster, to an old granny piano in our theme song, to the shimmering ambient drones of cryptic transmissions, to the brash clash of a high school drum corps in our closing credits; Soundiron was the place I turned for inspiration. When I’m not scoring, you will find me behind the 5-strings of a bass guitar, holding down the low-end, in a rebellious rock outfit called Kostic Zoda in my new home of Munich, Germany. More…

    Thomas de Waard Hi there, I’m Thomas de Waard, a composer for games and animations from the Netherlands. When I’m not working on projects I like to compose New Age music. I love working with the Soundiron instruments. What I especially like is how they always manage to sample instruments I’ve never heard of before and yet I always end up regularly using them in my compositions.


    Brennan Anderson, a Texas native and true Austinite at heart, is a Composer and founder of BadAss Music Productions. He has experience in writing for both films and video games, and has worked and studied with Award winning professionals Peter Stopschinski and Glenn Naftchi. Brennan worked as assistant to Kyle Robertson at Chop House Music, and still collaborates with Kyle from time to time. He loves fine cheeses and sometimes likes to make his own musical instruments.

    More…


    Bill Chelf (“THIS”) has played Woodstock (’69) and Carnegie Hall with singer/ songwriter Tim Hardin. Recording sessions in New York and Nashville encompassed a wide cross section of bands and singers. An album,”The Teachers”, was made with jazz giant James Moody in New York. A year was spent playing with Charlie Daniels in Nashville. Ten years were spent in Bermuda’s major resort hotels, most notably with the Ghandi Burgess Orchestra. Lately, Bill has been at sea performing extensively with the Norwegian and Royal Carribbean Cruise Lines. Bill also produces THIS_hypnotic-ambient-space music. His work often includes Soundiron instruments. He has this to say about Emotional Piano, “this instrument sings_with it I can just relax, listen and play”. CD’s and MP3′s can be accessed from his website His home is now Bowling Green, Kentucky. Email Bill Chelf


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